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" La piccola chiesa di San Procolo fu testimone delle prime gesta della mia gente" "Una carrozza usciva dallo stallo, iniziava una nuova giornata piena di gioie, speranze e sofferenze..." ""A mezzogiorno andavo a prendere il pranzo all'albergo ""Mazzanti,"" il cui proprietario era cugino di Don Calabria. Alla sera ci arrangiavamo alla meglio."" "Va a trovarlo che le un to parente..." Mi sono sentito guidato per mano a portare a termine questo progetto, come ringraziamento ed un dovere verso chi mi ha aiutato a vedere piu positivamente la mia vita. chi era il ""proprietario dell'albergo Mazzanti"" era Luigi Litterotto, fratello del mio bisnonno Vittorio; insieme caratterizzarono, per venticinque anni, la storia della mia famiglia, riportando luci, ombre e misteri non svelati. Lassu, vicino alla Chiesa che ricevette in dono dalla Divina Provvidenza, visse per quasi cinquant'anni della sua esistenza San Giovanni Calabria, ed io ne sono un lontano parente.
The definitive Italian-English dictionary features 100,000 entries with translations. In addition, the manageable size and reasonable price make it a practical learning tool for students taking an Italian language course.
This volume examines the flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Futurism was an artistic and social movement that was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature. This work looks at the prose, visual art, poetry, and the manifestos of Futurists from Russia to Italy. The author reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition reexamines the Futurist Moment in the light of a new century, in which Futurist aesthetics seem to have steadily more to say to the present
Europe’s boundaries have mainly been shaped by cultural, religious, and political conceptions rather than by geography. This volume of bilingual essays from renowned European scholars outlines the transformation of Europe’s boundaries from the fall of the ancient world to the age of decolonization, or the end of the explicit endeavor to “Europeanize” the world. From the decline of the Roman Empire to the polycentrism of today’s world, the essays span such aspects as the confrontation of Christian Europe with Islam and the changing role of the Mediterranean from “mare nostrum” to a frontier between nations. Scandinavia, eastern Europe and the Atlantic are also analyzed as boundaries in the context of exploration, migratory movements, cultural exchanges, and war. The Boundaries of Europe, edited by Pietro Rossi, is the first installment in the ALLEA book series Discourses on Intellectual Europe, which seeks to explore the question of an intrinsic or quintessential European identity in light of the rising skepticism towards Europe as an integrated cultural and intellectual region.
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