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A strange rift in ordinary reality draws saloon owner Travis Wilder and ER doctor Grace Beckett into the otherworld of Eldh--a land of gods, monsters, and magic that is sorely in need of heroes.
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A strange rift in ordinary reality draws saloon owner Travis Wilder and ER doctor Grace Beckett into the otherworld of Eldh--a land of gods, monsters, and magic that is sorely in need of heroes.
Can it really be true that 'golf' stands for 'Gentlemen Only Ladies Forbidden'? Or that 'rule of thumb' comes from an archaic legal principle that a man may chastise his wife, but only with a rod no thicker than his thumb? These and hundreds of other stories are commonly told and retold whenever people meet. They grow up in part because expressions are often genuinely mysterious. Why, for example, are satisfying meals 'square' rather than any other shape? And how did anyone ever come up with the idea that if you're competent at something you can 'cut the mustard'? Michael Quinion here retells many of the more bizarre tales, and explains their real origins where they're known. This is a fascinating treasure-trove of fiction and fact for anyone interested in language.
"Niagara Beyond The Pale - Traces the rising star Niagara from Punk Rock Royalty, to her iconic art world status. . . her early years to her first band DESTROY ALL MONSTERS, from DARK CARNIVAL to her successful career as a painter. Hundreds of historical American Punk Rock photo's from the 70's and 80's including The Ramones, Iggy and the Stooges, MC5, Sonic Youth and Debbie Harry. Journal entries from Niagara's personal diary along with countless paintings from her large body of artwork outline her life. Quotes and testimonials from many of Niagara's peers in the music and art world like Ron Asheton, Mike Kelly, Colonel, Rick Manore, Carlo McCormick, Jerry Vile, Robert Williams, Jamie O'Shea, David Keeps, John Holmstrom, Eric Kroll and Long Gone John. A must have book for art collectors and alternative music connoisseurs. "Beyond The Pale" kicks down the barriers of modern art and music and blows the doors off of the mundane"--Back cover note.
In the late nineteenth and early twentieth centuries, prominent social thinkers in France, Germany, and the United States sought to understand the modern world taking shape around them. Although they worked in different national traditions and emphasized different features of modern society, they repeatedly invoked Jews as a touchstone for defining modernity and national identity in a context of rapid social change. In Modernity and the Jews in Western Social Thought, Chad Alan Goldberg brings us a major new study of Western social thought through the lens of Jews and Judaism. In France, where antisemites decried the French Revolution as the “Jewish Revolution,” Émile Durkheim challenged depictions of Jews as agents of revolutionary subversion or counterrevolutionary reaction. When German thinkers such as Karl Marx, Georg Simmel, Werner Sombart, and Max Weber debated the relationship of the Jews to modern industrial capitalism, they reproduced, in secularized form, cultural assumptions derived from Christian theology. In the United States, William Thomas, Robert Park, and their students conceived the modern city and its new modes of social organization in part by reference to the Jewish immigrants concentrating there. In all three countries, social thinkers invoked real or purported differences between Jews and gentiles to elucidate key dualisms of modern social thought. The Jews thus became an intermediary through which social thinkers discerned in a roundabout fashion the nature, problems, and trajectory of their own wider societies. Goldberg rounds out his fascinating study by proposing a novel explanation for why Jews were such an important cultural reference point. He suggests a rethinking of previous scholarship on Orientalism, Occidentalism, and European perceptions of America, arguing that history extends into the present, with the Jews—and now the Jewish state—continuing to serve as an intermediary for self-reflection in the twenty-first century.
Media representations of law and order are matters of keen public interest and have been the subject of intense debate amongst those with an interest in the media, crime and criminal justice. Despite being an increasingly high profile subject few publications address this subject head on. This book aims to meet this need by bringing together an important range of papers from leading researchers in the field, addressing issues of fictional, factual and hybrid representations in the media -the so called 'docu-dramas' and 'faction'.
Who first wrote ‘absence makes the heart grow fonder’, ‘accidentally on purpose’ or ‘no pain, no gain’? Did you know that there is no evidence Queen Victoria said ‘We are not amused’ or Marie Antoinette proclaimed ‘Let them eat cake’, but ‘iron curtain’ was in use for 40 years before Winston Churchill said it, and we have P. G. Wodehouse to thank for ‘straight from the horse’s mouth’? This witty and accessible compendium reveals the obscure origins of over 500 common phrases, dispelling myths and offering plenty of fascinating facts to delight the triviaholic in all of us.
Challenging traditional disciplinary and cultural boundaries, this text moves beyond any unified feminist historical narrative to present 'relational' feminism of diverse communities, affiliations, and practices.
Dealing with the most translated work of German literature, the Tales of the brothers Grimm (1812-1815), this book discusses their history, notably in relation to Denmark and subsequently other nations from 1816 to 1986. The Danish intelligentsia responded enthusiastically to the tales and some were immediately translated into Danish by a nobleman and by the foremost Romantic poet. Their renditions remained in print for a century and embued the tales with high prestige. This book discusses translators, approaches, and other parameters such as copyright, and changes in target audiences. The tales’ social acceptability inspired Hans Christian Andersen to write his celebrated fairytales. Combined, the Grimm and Andersen tales came to constitute the ‘international fairytale’.This genre was born in processes of translation and, today, it is rooted more firmly in the world of translation than in national literatures. This book thus addresses issues of interest to literary, cross-cultural studies and translation.
Winner of the Lambda Literary Award: “A page-turner that brings to life turn-of-the-century New York’s Lower East Side.” —Library Journal Born in a Russian-Jewish settlement, Gutke Gurvich is a midwife who immigrates to New York’s Lower East Side with her partner, a woman passing as a man. Their story crosses with that of Chava Meyer, a girl who was attended by Gutke at her birth and was later orphaned during the Kishinev pogrom of 1903. Chava has come to America with the family of her cousin Rose, and the two girls begin working at fourteen. As they live through the oppression and tragedies of their time, Chava and Rose grow to become lovers—and search for a community they can truly call their own. Set in Russia and New York during the early twentieth century and touching on the hallmarks of the Progressive Era—the Women’s Trade Union League, the Triangle Shirtwaist Factory Fire of 1911, anarchist and socialist movements, women’s suffrage, anti-Semitism—Elana Dykewomon’s Beyond the Pale is a richly detailed and moving story, offering a glimpse into a world that is often overlooked. “A wonderful novel.” —Sarah Waters
Focuses on the essential character of a democratic-republican constitution as it has taken shape in America and considers the fundamental principles of Constitutional government.
This book examines the forms and practices of Irish confinement from the 19th century to present-day to explore the social and political failings of 20th and 21st century postcolonial Ireland. Building on an interdisciplinary conference held in the Crumlin Road Gaol, Belfast, the methodological approaches adopted across this book range from the historical and archival to the sociological, political, and literary. This edited collection touches on topics such as industrial schools, Magdalen laundries, struggles and resistance in prisons both North and South, Direct Provision, and the ways in which prison experiences have been represented in literature, cinema, and the arts. It sketches out an uncomfortable picture of the techniques for policing bodies deployed in Ireland for over a century. This innovative study seeks to establish a link between Ireland’s inhumane treatment of women and children, of prisoners, and of asylum seekers today, and to expose and pinpoint modes of resistance to these situations.
Heidegger scholars consider the philosopher's recently published notebooks, including the issues of Heidegger's Nazism and anti-Semitism. For more than forty years, the philosopher Martin Heidegger logged ideas and opinions in a series of notebooks, known as the “Black Notebooks” after the black oilcloth booklets into which he first transcribed his thoughts. In 2014, the notebooks from 1931 to 1941 were published, sparking immediate controversy. It has long been acknowledged that Heidegger was an enthusiastic supporter of the Nazi Party in the early 1930s. But the notebooks contain a number of anti-Semitic passages—often referring to the stereotype of “World-Jewry”—written even after Heidegger became disenchanted with the Nazis themselves. Reactions from the scholarly community have ranged from dismissal of the significance of these passages to claims that the anti-Semitism in them contaminates all of Heidegger's work. This volume offers the first collection of responses by Heidegger scholars to the publication of the notebooks. In essays commissioned especially for the book, the contributors offer a wide range of views, addressing not only the issues of anti-Semitism and Nazism but also the broader questions that the notebooks raise. Contributors Babette Babich, Andrew Bowie, Steven Crowell, Fred Dallmayr, Donatella Di Cesare, Michael Fagenblat, Ingo Farin, Gregory Fried, Jean Grondin, Karsten Harries, Laurence Paul Hemming, Jeff Malpas, Thomas Rohkrämer, Tracy B. Strong, Peter Trawny, Daniela Vallega-Neu, Friedrich-Wilhelm von Herrmann, Nancy A. Weston, Holger Zaborowski
This book finds our traveller, in the spring of 2014, heading eastwards into Europe, to follow a journey, by walking, hitch-hiking and by train, which takes her across Black Sea and the Caspian Sea into Central Asia. Passing through thirty countries. Most of the writing was done on the spot, whilst travelling on trains